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The Book of 55,000 Baby Names

written and read by Judith Valente; music by Eugene Friesen and Tim Ray (Brejeiro from Colorful Transitions)

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Why Daisy Bobbed Her Hair

written and read by Kathryn Kerr; music by Barbara Lamb (Blue Dakota from Blue on Dakota)

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Stars Are a Jaguar's Earrings

written and read by Mary Leen; music by The Jazz Mandolin Project (Contois from The Jazz Mandolin Project)

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Still Life (excerpt)

written and read by Linda Gregerson; music by Chad McCullough (Bosa from The Sky Cries)

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For All

written and read by Gary Snyder; music by Mollie Newton (Waltz in B Flat Major from Oasis Instrumentals 3)

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The Negro Speaks of Rivers

written by Langston Hughes, read by Pearl Cleage; music by Tony Furtado (Can You Hear the Rain from Roll My Blues Away)

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Choices

written and read by John Presley; music by Sameer Gupta (Jangle from Namaskar)

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Visitation: Pain-Body

written and read by Duriel Harris; music by Xavier Rudd (In Transit from Solace)

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Summer Parade, Old Route 66

written and read by Judith Valente; music by The Bernstein Bard Trio (Spanish Harlem from Center of the Wheel)

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Man Looking for His Wife

written and read by John Knoepfle; music by Ben Webster (Stardust from See You At the Fair)

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The City of God

written and read by David Baker; music by Norman Ruiz & Jeffrey Warren (Aragon Two from Duos Dialogues)

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Full Circle

written and read by Cinda Thompson; music by William Coulter & Barry Phillips (A Cup of Rejoicing from Music on the Mountain)

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The Neophyte Scholar Pauses Before Entering the Humanities Research Center to Study the Kerouac Papers

written and read by Tim Hunt; music by Jerry Douglas (C-Biscuit from Everything is Gonna Work Out Fine)

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Over Easy

written and read by Linda Gregerson; music by Wall Matthews and Rusty Clark (Sleazy Sue from Air Over Water)

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Summer Surprised Us

written and read by Edward Hirsch; music by The String Brothers (Wing It from Oasis Jazz Instrumentals)

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The Afterlife

written by Billy Collins, read by Ruth Gnagey; music by Michael J. Miles (Take Five from Col-lage)

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On the Spoil Heaps

written and read by Robert Sutherland; music by Bela Fleck and the Flecktones (Sweet Pomegranates from Rocket Science)

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Why Mrs. Keller Had Her Late Husband's Dog Shot

written and read by Kathryn Kerr; music by Bill Frisell (Where Do We Go? from Blues Dream)

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Alabama

written and read by Dave Etter; music by Benny Golson (Looking For a Home from Ed's Next Move)

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After Rain

written and read by Judith Valente; music by Vijay Iyer (Abundance from Tirtha)

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What Does Reincarnation Mean?

read by Rudy Gonzales; music by Brent Truitt (You Can't Always Get What You Want from Picking on the Stones)

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Trees in the Night

written and read by David Baker; music by Sonny Sharrock (Once Upon a Time from Ask The Ages)

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Necessary

written and read by John Presley; music by Bob Bellamy and Wendy Barlow (The Fair and Charming Eileen O'Carroll from Measured Sound)

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No Matter, Never Mind

written and read by Gary Snyder; music by Abby Rabinowitz (I Caught You! from We Used to Dance)

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Back Road, Central Illinois

written and read by Tim Hunt; music by Chad McCullough (Urban Grassland from The Sky Cries)

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Note on Commercial Theatre

written by Langston Hughes, read by Pearl Cleage; music by Benny Golson (City Walking from Ed's Next Move)

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Bluegrass

written and read by Roger Pfingston; music by Bill Frisell (The Tractor from Blues Dream)

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The Selvage

written and read by Linda Gregerson; music by Michael J. Miles (Sleepers Awake from Col-lage)

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In His Dream

written and read by Tim Hunt; music by Larry Coryell (December Blues from Wide Hive Players)

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Range of Hearing

written and read by Cinda Thompson; music by Michael Hedges (When I Was 4 from Oracle)

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Music Swims Back to Me

written by Anne Sexton, read by Mary Leen; music by Benny Golson (Another Turn in the Road from Ed's Next Move)

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Witness

written and read by David Baker; music by Vijay Iyer (Entropy and Time from Tirtha)

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Dylan's Fault

written by Robin Becker, read by Lucia Getsi; music by The Tony Rice Unit (Beaumont Rag from Unit of Measure)

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Before the Homecoming Parade

written and read by Charles Reynard; music by Jessica Williams (Paul's Pal from Freedom Trane)

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Black Hand Side

written and read by Duriel Harris; music by Jake Shimabukuro (Heartbeat/Dragon from Gently Weeps)

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Lunch Room, New Berlin

written and read by John Knoepfle; music by the Seldom Scene (Tulsa Chili Bop from Dream Scene)

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Morning Docket

written and read by Judith Valente; music by The Blue Flames Steel Band (Everybody's Talking from Schmoozin')

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Who Invented Death ... ?

written by Joy Harjo, read by Mary Leen; music by The Henrys (Coyote Basin from Puerto Angel)

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My Mother and I Had a Discussion One Day

written by Denise Sweet, read by Lucia Getsi; music by Bill Frisell (What Do We Do? from Blues Dream)

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Jukebox

written and read by Dave Etter; music by Eddie Daniels & Gary Burton (Memories of You from Benny Rides Again)

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I'll Tell You How the Sun Rose

written by Emily Dickinson, read by Ruth Gnagey; music by Vinicius Cantuaria and Bill Frisell (Cafezinho from Lagrimas Mexicanas)

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To a Water Fowl

written by William Cullen Bryant, read by Bill Gnagey; music by Kenny Burrell (Lotus Blossom from A Billy Strayhorn Songbook)

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Mackinaw Parade, 2004

written and read by Tim Hunt; music by Mark Simos (Mandolin Boomerang from Race the River Jordan)

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Her Argument For the Existence of God

written and read by Linda Gregerson; music by Roberta Piket (Idy's Song and Dance from Sides, Colors)

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Home Swim

written and read by Jackie White; music by Smithfield Fair (Nutmeg's Wellys from Cairdeas)

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Self Portrait with Sorrow Song

written and read by Duriel Harris; music by Charles Mingus (Freedom from Mingus Mingus Mingus Mingus Mingus)

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Wabi Sabi

written and read by Judith Valente; music by Chris Pandolfi (Costa Brava from The Handoff)

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Grady's New Relationship

written and read by Roger Pfingston; music by Dave Eshelman (Mystique from Oasis Jazz Instrumentals)

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Auguries of Innocence

written by William Blake, read by Kim Pereira; music by Stefan Grossman and John Renbourn (All Things Parallel Must Converge from Under the Volcano)

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The Tyger

written by William Blake, read by Sheahon Zenger; music by Django Reinhardt (Django's Tiger from The Best of Django)

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Introduction to Songs of Innocence

written by William Blake, read by Steve Adams; music by Solas (The Yellow Tinker from Solas)

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Leave What You Like

written and read by John Presley; music by Siucra (Winter in Craughwell from Here Among Strangers)

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Family Life in Arraignment Court

written and read by Charles Reynard; music by The Microscopic Septet (Friday the 13th from The Micros Play Monk)

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Field Ecologist's Love Song

written and read by Kathryn Kerr; music by Bruce Cockburn (Train in the Rain from Dart to the Heart)

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No Match

written and read by Charles Hartman; music by Marc Thornton (Rude Mood from Pickin' on SRV)

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There Will Come Soft Rain

written by Sara Teasdale, read by Ruth Gnagey; music by Innisfree (Roving Galway Boy from Celtic Dreams)

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Imaginary Logic

written and read by Jackie White; music by Bruce Cockburn (Deep Lake from Breakfast in New Orleans ...)

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Discovering Moons

written and read by Judith Valente; music by Patrick Landeza (Berkeley Bounce from My Music World)

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Nude Descending a Staircase

written by X.J. Kennedy, read by Bill Woodson; music by Johnny Frigo (Jitterbug Waltz from Debut of a Legend)

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In the Garden of Eden

written and read by Cheryl St. Germain; music by Doug Cox (The Circle Game from Bone Bottle Brass or Steel)

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Sandalwood Poems

written and read by John Knoepfle; music by Simon Thoumire (Spare Parts from March, Strathspey and Surreal)

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Alone in the Garden

written and read by Charles Reynard; music by Rich Cohen (Comes and Goes from Vale of Cashmere)

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Homemaker

written and read by Cinda Thompson; music by Jerry Douglas (Grant's Corner from Under the Wire)

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Monarchs Landing and Flying

written and read by David Baker; music by Michael Connolly & Miller McNay (Caravan from The Mandolin Casefiles)

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The Art of Pie

written by Susan Bright, read by Claudia Schmidt; music by Red Garland (Billy Boy from Milestones)

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Talent Show

written and read by John Knoepfle; music by Gretchen Van Houten (Kansas City Kitty from American Fogies, Volume 2)

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Poem Was Low on Jack (from The Further Adventures of Poem)

written and read by Tim Hunt; music by Tim Ries (Honky Tonk Women from The Rolling Stones Project)

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Singing in the Toyota

written and read by Dave Etter; music by Al McDowell (Maybe from Time Pieces)

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Honeydew

written and read by Charles Hartman; music by Dana Robinson (Crossing the Platte from The Trade)

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Shopping

written by Robin Becker, read by Lucia Getsi; music by David Grisman and Martin Taylor (Musette for a Magpie from Tone Poems II)

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The Blue

written and read by David Baker; music by David Greely (McGee's A Minor Waltz from Sud du Sud)

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June 23, AM

written and read by Claudia Schmidt; music by Sam Bush (Spooky Lane from Glamour and Grits)

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Arlo and Trude Speak in Different Tenses

written and read by Charles Reynard; music by Rich Cohen (Body and Soul from Vale of Cashmere)

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The Risk Travelers Take

written and read by Roger Pfingston; music by Richard Thompson (Pitfalls from Industry)

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Sonnet #116

written by William Shakespeare, sung by John Knoepfle; music by Paul Adams (Molly's Happy Lament from Wonder Dancing on Global Bop)

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Poem Had Had a Tough Night

written and read by Tim Hunt; music by Sandro Albert (JW's Baiao from Vertical)

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Iowa Flora

written and read by Edward Hirsch; music by John Jackson (Rapahanock from Front Porch Blues)

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Arithmetic

written by Carl Sandburg, read by Jan Susina; music by Jody Stecher (Table Mountain Road from Going Up on the Mountain)

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Ain't That a Shame

written and read by Dave Etter; music by Henry Qualls (The Elmo Stomp from Blues From Elmo, TX)

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Nothing Gold Can Stay / Silken Tent

written by Robert Frost, read by Bill Woodson; music by Leo Kottke (Arms of Mary from Peculiaroso)

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Banking Potatoes

written by Yusef Komunyakaa, read by Joseph Thomas; music by Jody Stecher (Thompson's Reel from Going Up on the Mountain)

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At Dusk

written by James Scrimgeour, read by Bill Woodson; music by Giovanni Hidalgo (Call of the Jungle Bird from Time Shifter)

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It Was Another (from The Further Adventures of Poem)

written and read by Tim Hunt; music by Natalie Brown (Lazy Days from Violin Crossings)

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Today She Has Lost Her Fight ...

written and read by Marie Humber Clements; music by Eric Dolphy (Feathers from Eric Dolphy on Prestige)

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Tamaroa Prayer

written and read by John Knoepfle; music by Claudia Schmidt (Waltzing at the 45th Parallel from It Looks Fine From Here)

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Harley Parking Only

written and read by Charles Reynard; music by Larry Unger (Blues at Daybreak from The Road to Damascus)

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Seeing Out of the Sub

written and read by Andrei Codrescu; music by Marc Ribot (No Puedo Frenar from Muy Divertado)

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Too Many

written and read by David Baker; music by Kevin Mileski (Circumstance from Which Way Did He Turn?)

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Smiles Like Friday

written and read by Dave Etter; music by Dexter Gordon (I Can't Escape From You from Dexter Rides On)

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Enter Dark Stranger

written and read by William Trowbridge; music by Gideon Freudmann (Opium Den from Cellobotomy)

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Driving in Snow, Thinking of Ava, One Month Old

written and read by Judith Valente; music by Sandro Albert (Waiting for Victoria from Vertical)

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In the Midwest

written and read by Edward Hirsch; music by Kristina Olsen (Pillow Talk from Duet)

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I Do Not Know a Lot About Beatrix Potter

written by Roger Mitchell, read by Jan Susina; music by Merle Watson (Thoughts of Never from Memories)

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Now the Last is First Again

written and read by John Knoepfle; music by David Grisman (Auld Lang Syne from Acoustic Christmas)

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Lunar Eclipse

written and read by Judith Valente; music by Charles Lloyd (Ruby My Dear from Mirror)

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The Introduction

written and read by Andrei Codrescu; music by T-Mamou (Au Revoir from Cajun and Creole Jam)

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Organ Music in Grain Valley, Missouri

written and read by Dave Etter; music by Jimmy Smith (The Christmas Song from Christmas Cookin')

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The Oxen

written by Thomas Hardy, read by Bill Morgan; music by The Boys of the Lough (Midwinter Waltz from A Christmas Celtic Sojourn)

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Ferry

written by Louis Zukofsky, read by Joseph Thomas; music by Dan Tyminski (Sassafrass from Mando Monsters)

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Setting Rilke's Angels on Fire

written and read by Jan Susina; music by Junior Hot Cell (Loch Irie from Acoustic Oasis, Volume 22)

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Never Ending Birds

written and read by David Baker; music by The Kathy Kallick Band (Winterlight Aire from Between the Hollow and the High-Rise)

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That Was My Meal

written by Gregory Corso, read by Harry Deutsch; music by Arthur Lyman (Magic Island from The Legend of Pele)

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Indian Boarding School: The Runaways

written and read by Louis Erdrich; music by Rolf Lislevand (Passacaglia Celtica from Nuove Musiche)

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Play Stove

written and read by Tim Hunt; music by Danny Gotham (Recuerdos from Old Friends)

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The Hag

written by Robert Herrick, read by Karen Coates; music by Jay Ungar/Molly Mason/Aaron Copland (Hoedown from Harvest Moon)

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Juvenile Day

written and read by Charles Reynard; music by David Helsand & The Majestic Ensemble (Song For My Father from First Light)

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Hungry

written and read by David Baker; music by The Curios (Pickle from Pillow Book)

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Sometime the Cow Kick Your Head

written by Andrew Grossman, read by William Trowbridge; music by Gordon Stone (South Wind from Touch and Go)

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Cab Calloway at the Sheraton in New Orleans

written and read by Kay Murphy; music by Illinois Jacquet's Black Velvet Band (You Gotta Change from The Black Velvet Band)

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Plenty

written and read by Janet Burroway; music by Bill Frisell (Winslow Homer from Beautiful Dreamers)

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Hating Shirley Temple

written by Jerry Dillon Pratt, read by Ruth Wantling; music by Earl Klugh (I'm All Smiles from Solo)

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Rock Island

written and read by Judith Valente; music by The Kruger Brothers (Like a Spark from Between The Notes)

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Advice to Myself

written and read by Louise Erdrich; music by Taylor Eigsti (The Art Teacher from Daylight at Midnight)

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The Selfishness of the Poetry Reader

written by Dick Allen, read by Harry Deutsch; music by Shady Mix (Chicken Fence Rag from Bottomlands)

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The Road Not Taken

written by Robert Frost, read by Marita Brake; music by Duke Ellington (Meditation from Live at the Whitney)

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Blue Basket

written and read by Kathleen Kirk; music by The Bernstein Bard Trio (Tango in Blue from Center of the Wheel)

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Grammar

written and read by Andrei Codrescu; music by Warren Barker (Late at Bailey's Pad from Crime Jazz)

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Redneck Yoga

written and read by Tim Hunt; music by Tony Furtado (Mississippi Sage from Deep Water)

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Old Man Throwing a Ball

written and read byDavid Baker; music by Sandro Albert (Zigzag from Vertical)

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Crow Lake

written by James Scrimgeour, read by Bill Woodson; music by Bill Whelan (Caoineadh Cu Chulainn from Riverdance)

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Roses

written and read by Ruth Wantling; music by The Angels of Venice (Luna Mystica from The Angels of Venice)

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Looking Forward to Age

written by Jim Harrison, read by Louise Erdrich; music by Patrick Landeza (Nani Ko'olau from My Music World)

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I Asked For a Little Kindness

written and read by Marie Humber Clements; music by John Coltrane & Duke Ellington (In a Sentimental Mood from A John Coltrane Retrospective)

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Die Blaue Stunde (The Blue Hour)

written and read by Brian Burt; music by Mark Isham (Blue Sun from Blue Sun)

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Fear Of Death

written and read by Kathleen Kirk; music by Gabriel Alegria (Puerto Pimentel from Pucusana)

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The Secret

written by Denise Levertov, read by Karen Coates; music by Michael Hedges (Ritual Dance from The Best of Michael Hedges)

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Post

written and read by Janet Burroway; music by the Simon Mayer Quintet (Russian River Rag from The Mandolinquents)

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Trains

written and read by Andrei Codrescu; music by Susanne Lewis (Pill Popping Nation from Susanne Lewis)

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Sonnets XVII and VII

written by A.E. Houseman, read by Robert Sutherland; music by Nakai, Eaton and Clipman (Restless Spirits from Feather, Stone and Light)

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One Bright Autumn

written and read by Gary Gildner; music by Curtis Counce (Counceltation from You Get More Bounce with Curtis Counce)

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The End and the Beginning

written by Wislawa Szymborska, read by Louise Erdrich; music by Danny Gotham (Across the Universe from Luzerne)

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The Mother

written by Sharon Olds, read by Harry Deutsch; music by David Grisman and Bill Keith (Little Sadie from Early Dawg)

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A House in Carlock

written and read by Kathleen Kirk; music by Taylor Eigsti (Pink Moon from Daylight at Midnight)

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Endangered Species

written and read by William Trowbridge; music by Rufus Harley (Windy from King / Queens)

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A Snapshot of the Auxiliary

written by Richard Hugo, read by Jan Susina; music by Chris Proctor (Slickrock Lament from Only Now)

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Driving William

written and read by Charles Reynard; music by Gregg Miner and Company (Auggie Doggie from Good Dogs, Bad Dogs, Best Friends)

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To the Mistakes

written by W.S. Merwin, read by Charles Reynard; music by Pete Seeger (One Percent Phosphorus Banjo Riff from Pete Seeger at 89)

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Thanks

written by W.S. Merwin, read by Pearl Cleage; music by Rick Lee (April Fool from There's Talk About a Fence)

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Come On In to My Tropical Garden

written by Grace Nichols, read by Lissa Paul; music by Alison Brown (Mambo Banjo from Simple Pleasures)

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Little Blue Eye Glasses

written and read by Louis Erdrich; music by Darrell Scott (Pester Lester from A Crooked Road)

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Mother Hood

written and read by Janet Burroway; music by Steve Smith and Hard Road (Mice on the Stove from Signs Along the Road)

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Oh, Who Is That Young Sinner ...

written by A.E. Houseman, read by Robert Sutherland; music by Thelonious Monk (Hackensack from Criss-Cross)

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The Separation

written and read by Carrie Etter; music by Rolf Lislevand (Passacaglia Andaluz II from Nuove Musiche)

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I Liked Growing / Raw?

written by Carla Kuskin and Thomas Rockwell, read by Karen Coates; music by Jennifer and Hazel Wrigley (Wild Fiddlers Rag from The Watchstone)

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Watching a Haircut

written and read by John Knoepfle; music by Mike Dowling (Nitpickin' from Swamp Dog Blues)

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Poetry

written and read by Andre Codrescu; music by Thelonious Monk (Smoke Gets In Your Eyes from The Art of the Ballad)

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The Wolves

written and read by Joanne Diaz; music by Dana and Susan Robinson (Glory in the Meeting House from 'Round My Door)

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For Georgia, Who is Over Thirty, Too!

written and read by Ruth Wantling; music by Robin Kenyatta (Slow Boat to China from Nomusa)

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First Rice

written by Heid Erdrich, read by Louise Erdrich; music by Steve Kramer (Hear the Ocean from Songs of the Sleeping Stone)

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In the Morning

written by Paul Lawrence Dunbar, read by Nancy Tolson; music by Norman Blake (Snowbird on the Ashbank from Far Away, Down on a Georgia Farm)

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Aunt Sallie's Lament

written by Margaret Kaufman, read by Marita Brake; music by Agents of Terra (Every Breath You Take from Young Fogies)

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Creative Writing

written and read by Peg Kirk; music by Bill Frisell (Goin' Out of My Head from Beautiful Dreamers)

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Dog Toothed Violet

written and read by Gary Gildner; music by Johnny Coles (So Sweet My Little Girl from Little Johnny C)

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Airport

written and read by Janet Burroway; music by Floorplay (Reunion from Block Party)

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Sorry

written by Ntozake Shange, read by Nancy Tolson; music by TISQ (Cool from Art of the Groove)

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Was It Because?

written by Thomas Rockwell, read by Karen Coates; music by Randall Hylton (Limehouse Blues from The Essential)

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Elephants Are Different Things to Different People

written by Carl Sandburg, read by Robert Trites; music by Simple Gifts (Fifth Brew from Time and Again)

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Early Forties Song

written and read by Kay Murphy; music by Fourplay (Lil' Darlin' from Between the Sheets)

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The Colony of Us

written and read by Carrie Etter; music by Dusty Knapp (Glorious from Reflections of Worship)

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Much Madness is Divinest Sense

written by Emily Dickinson, read by Roberta Trites; music by Yma Sumac (Gopher Mambo from Happy, Texas)

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Violin

written and read by Joanne Diaz; music by Bill Frisell (Tea for Two from Beautiful Dreamers)

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Used Books

written and read by Allison Joseph; music by Bill Staines (An Afternoon at Cohan's from October's Hill)

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Rebirth Revisited

written and read by Peg Kirk; music by Bill Frisell (The Wizard from Disfarmer)

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Malcolm X

written and read by Gwendolyn Brooks; music by Richard Stoltzman (Viderunt Omnes from NY Counterpoint)

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If We Must Die

written by Claude McKay, read by Pearl Cleage; music by Ed McMeen (Mo Ghile Mear from Elixir Strings)

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Over Tea

written and read by Marjorie Agosin; music by Dino Saluzzi (Volver from Volver)

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Stung

written by Heid Erdrich, read by Louise Erdrich; music by Lem Genovese (Six Lazzeri Lane from Six Lazzeri Lane)

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pity this busy monster man unkind

written by e.e. cummings, read by Robert Sutherland; music by Doug Hammond (Kone Pone from Folks)

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Asters

written and read by Kathleen Kirk; music by The Bean Pickers Union (Waltz #1 from Potlatch)

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BANANA pOeM

written and read by John Firefly; music by Garrett List's A1 Band (Rib Crib from Fire and Ice)

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The Cockroaches of Liberation

written and read by Martin Espada; music by John Reischman (Juramento from North of the Border)

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The Honeymoon of Our Attraction

written and read by Carrie Etter; music by Howard Levy (Slanted Samba from Tonight and Tomorrow)

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The Diameter of the Bomb

written by Yehuda Amichai, read by Brian Burt; music by David Grier (Lonely Soldier from Lonely Soldier)

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Flirtation

written and read by Allison Joseph; music by Bachue (The Phrayes from A Certain Smile)

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Sonnet #116

written by William Shakespeare, read by Rhys Lovell; music by Mike and Ruthy (Diamond Ring Rag from The Honeymoon Agenda)

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Sonnet #104

written by William Shakespeare, read by Steve Wojtas; music by Gaucho (Sweet Chorus from Deluxe)

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Sonnet #98

written by William Shakespeare, read by Katrina Kuntz; music by Anthropedia Foundation (The Book of Marvels from Leonardo Da Vinci)

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As You Like It, Act 2, Scene 7

written by William Shakespeare, read by David Marcotte; music by Rolf Lislevand (Ciaccona from Nuove Musiche)

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An Affinity With the Garbage

written and read by Janet Burroway; music by The Resophonics (Tanbo Harvest from Last Long Winter)

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Life Along the Mackinaw

written and read by Marita Brake; music by Simple Gifts (The Wind That Shakes the Barley from Oasis Acoustics 95)

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Disobedience

written by A.A. Milne, read by Janice Neuleib; music by Tony Trischka (Soldier's Joy from Heartlands)

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The Place the Musician Became a Bear (for Jim Pepper)

written and read by Joy Harjo; music by Jim Pepper (3/4 Gemini from Dakota Song)

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Eagle Poem

written by Joy Harjo, read by Louise Erdrich; music by Will Brady (Everyday from Solo Guitar)

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Ocean

written and read by Ruth Wantling; music of Howard Hanson performed by the Seattle Symphony (Serenade for Flute, Harp and Strings)

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Poem to Be Placed in the Middle of the Manuscript of Flower Poems, Written on a Wednesday, Garbage Day

written and read by Kathleen Kirk; music by Rickie Lee Jones (Blue Ghazell from Balm in Gilead)

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Reenactment, Gettysburg

written and read by Joanne Diaz; music by Martin Simpson (Greystones from True Stories)

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Religion

written and read by Gwendolyn Brooks; music by Bill Douglas (Like a Wave of the Sea from Celtic Twilight 5)

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Landscapes

written and read by Janet Burroway; music by Jose Rodriguez (Moments in Life from Moments in Life)

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One Perfect Rose

written by Dorothy Parker, read by Roberta Trites; music by Gerry O'Connor (Temple Bar Jam from Myriad)

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Sotto Voce / Whatever Keeps You Out of Hell

written and read by Cecil Giscombe; music by Mark Simos (Pony Boy from Race the River Jordan)

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Yesterday Down at the Canal

written by Frank O'Hara, read by Chris Paddock; music by Son Volt (Jodel / Chanty from Wide Swing Tremolo)

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Attractions of a Monastery

written and read by Carrie Etter; music by Pat Kirtley (Megan Morgan from Acoustic Oasis, Volume 11)

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The Fish

written by Marianne Moore, read by Kirsten Zona; music by Grit Laskin (Earthly Concerns from Earthly Concerns)

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Living On the Moon

written and read by Kathleen Kirk; music by Ramona Borthwick (Retrospeak from One of Us)

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After Keats

written and read by Gabriel Gudding; music by Gerry Grosz / Phil Hawkins Quintet (Remembrance from Oasis Jazz 5)

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Ringbang Theory

written and read by James Plath; music by Soweto String Quartet (Mbayi Mbayi from Zebra Crossing)

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Blue

written and read by Louise Erdrich; music by Acousticity (Blue Rondo a La Turk from Music for 20 Fingers)

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In Mind

written by Denise Levertov, read by Victoria Harris; music by Stefan Grossman (Bidnest Two-Step from Bottleneck Serenade)

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The Thike

written by Claire Crowther, read by Carrie Etter; music by Gaucho (The Hedgehog Waltz from Deluxe)

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Kong Looks Back on His Tryout With the Bears

written and read by William Trowbridge; music by Matt Catingub (Squib Cakes from In the Land of the Long White Cloud)

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Sabbatical

written and read by Zarina Mullan Plath; music by Joe Craven (Rites of Man from Camptown)

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Science

written and read by Steve Fay; music by Galactic (Hamp's Hump from Crazyhorse Mongoose)

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Modus Operandi

written and read by Peg Kirk; music by Acousticity (In the Mood from Music for 20 Fingers)

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since feeling is first

written by e.e. cummings, read by Charlie Harris; music by Eric Bibb (Blacksmith Island from Good Stuff)

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Liquid Paper

written by Peter Meinke, read by James Plath; music by the Uptown String Quartet (Calvary from The Uptown String Quartet)

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My Mother's Tortilla

written and read by Joanne Diaz; music by Dois no Choro (Chorando Baixinho from Asa Branca)

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Greenhouse

written and read by Rose DiMatteo; music by Steve Khan (Backup from Let's Call This)

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God's Grandeur

written by Gerard Manley Hopkins, read by Robert Sutherland; music by Thelonious Monk (Pannonica from Criss-Cross)

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Early in the Morning

written by Li-Yong Lee, read by Zarina Mullan Plath; music by Eddie Gomez (Tenderly from Next Future)

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Harlem Night Song

written by Langston Hughes, read by Pearl Cleage; music by The Jazz Mandolin Project (Mandoneon from The Jazz Mandolin Project)

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Coyote

written and read by Kathleen Kirk; music by Gaucho (Si Tu Savais from Deluxe)

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The 1200 N Road Going East

written and read by Cecil Giscombe; music by Ramona Borthwick (Eight Winds from One of Us)

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Happiness

written by Carl Sandburg, read by Marita Brake; music by Santiago Jimenez, Jr. (Magdalena from Musica de Tiempos)

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Girl With Catfish

written and read by Steve Fay; music by Stefan Grossman (Birdnest Two-Step from Bottleneck Serenade)

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Petra Genetrix

written by Claire Crowther, read by Carrie Etter; music by Acousticity (Blue Rondo a la Turk from Music for 20 Fingers)

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Have A Nice Day

written by Jack Myers, read by Brian Burt; music by Bill Frisell (New Day from Go West)

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Wishes For Sons

written by Lucille Clifton (1936-2010), read by Victoria Harris; music by Orquesta Atipica (Dead Miser Waltz from Tango Dogs)

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Homage to My Hips

written by Lucille Clifton (1936-2010), read by Lucia Getsi; music by Peter Elman (Man in the Middle from Dakota Nights)

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The Legal Aid Lawyer Has An Epiphany

written and read by Martin Espada; music of Tarrega performed by Evan Marshall (Recuerdo de la Alhambra from The Lone Arranger)

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On My Father's Loss of Hearing

written and read by Joanne Diaz; music by Tiempo Libre (Fuga from Bach in Havana)

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Belief Is Getting More Difficult

written and read by Kay Murphy; music by Charles Mingus (Wee from Mingus Moves)

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How Beautiful It Is

written by Robinson Jeffers, read by Ruth Wantling; music by Woody Mann (Slow Motion from Stories)

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Keeping

written and read by Katharine Wright; music by The Soweto String Quartet (Zebra Crossing from Zebra Crossing)

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Fat - An Aire

written and read by Janet Burroway; music by The Nice Guy Trio (Fables of Faubus from Here Comes The Nice Guy Trio)

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After Disaster

written and read by Peg Kirk; music by Joel Mabus (A Midsummer Night's Waltz from Omnibus)

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Mourning Pablo Neruda

written by Robert Bly, read by Victoria Harris; music by Andreas Vollenweider (Trigon from Kryptos)

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Commemoration

written by Wislawa Szymborska, read by Louise Erdrich; music by Chico Hamilton (Nonchalant from Twelve Tones of Love)

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The Terrorist, He's Watching

written by Wislawa Szymborska, read by Sandra Steingraber; music by John Lurie (Struggle of Man from Fishing With John)

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Lying in a Hammock at William Duffey's Farm in Pine Island, Minnesota

written by James Wright, read by Brian Burt; music by Jackalope (... and then there was wood from Jackalope)

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Clarinet

written and read by Joanne Diaz; music by The Klezmer Conservatory Band (Doyne/Freylekhs from Dancing In the Aisles)

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When Love is Like the Sky

written and read by Rose Dimatteo; music by Edgar Meyer (Smiles and Tears from Work in Progress)

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Father William

written by Lewis Carroll, read by Janice Neuleib; music of Rossini, performed by Evan Marshall (William Tell Overture from The Lone Arranger)

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A Train at Night

written and read by Cecil Giscombe; music by Richard "Groove" Holmes (Night Train from On Basie's Bandstand)

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Echology

written and read by Janet Burroway; music by Mark Simos (The Word in Edgewise from Race the River Jordan)

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Sonnet #147, My Love is as a Fever

written by William Shakespeare, read by Rob Cook; music by Miles Davis (Circles from Miles Smiles)

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Sonnet #29, When, In Disgrace with Fortune

written by William Shakespeare, read by Eric Uppling; music by Charlie Haden/Hank Jones (I've Got a Robe from Steal Away)

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Sonnet #154, The Little Love God

written by William Shakespeare, read by Florence Powdermaker; music of Couperin performed by Hamilton Cheifetz (La Tromba from Songs From the Cello)

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Moments in Love

written and read by Ricardo Cortez Cruz; music by The Green String Quartet (Harlem Nocturne from The String Machine)

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Birth

written and read by Louise Erdrich; music by Bela Fleck and Djelmady Tounkara (Mariam from Throw Down Your Heart)

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Ebb Tide

written and read by Jim Plath; music by Shahin and Sepehr (One Passion Dance from World Cafe)

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At the Bake Sale

written and read by Peg Kirk; music by Los Cenzontles (Solo Quiero Bailar from American Horizon)

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War Memorial, Mannheimer Schloss

written and read by Brian Burt; music by Bobby Hutcherson (Pastoral from Components)

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Returning a Rabbit

written and read by Katherine Wright; music by Steven King and the Acoustic Crew (Doggie E. Boo from Journey to Love)

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Brockport Sunflowers

written by William Heyen, read by Rose DiMatteo; music by Scott Joplin, performed by Butch Thompson (Heliotrope Bouquet from Thompson Plays Joplin)

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In Passing

written by Matt Bryden, read by Carrie Etter; music by Howard Levy (Flunky Jazz from Tonight and Tomorrow)

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Four Quartets (an excerpt)

written by T.S. Eliot, read by Joy Luke; music by Gideon Freudmann (Cheese Cluster from Banking Left)

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Fear Not

written and read by Kathleen Kirk; music by Steve Earle (Brand New Companion from Townes)

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Henry's Understanding

written by John Berryman, read by Charles Harris; music by Gary Burton (Decarismo from Astor Piazzolla Reunion)

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In the Pit of Crinoline Ruffles

written and read by Thylias Moss; music by Ira Stein (High Country from Carousel)

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Try to Praise the Mutilated World

written by Adam Zagajewski, read by Louise Erdrich; music by The Vignola Collective with Mark Kibble (A Minor Idea from Gypsy Grass)

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Moving On In the Midwest

written and read by Peg Kirk; music by John Gorka (Fret One from So Dark You See)

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Goodnight

written and read by Li Yong Lee; music by Seamus McGuire (Captain O'kane from The Wishing Tree)

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Christmas in Southern California

written and read by Joanne Diaz; music by Hamiet Bluiett (Christmas Song from Makin' Whoopee: Tribute to the King Cole Trio)

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Pulp Log, #42

written and read by Barry McKinnon; music by Hugh Hopper (2 P.M. from Hooligan Romantics)

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The Green Linnet

written by William Wordsworth, read by Tessa Moriarty; music by Evergreen Erb (Trillium from Oasis Acoustic Volume 38)

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First Light

written and read by Jim Plath; music by Friends of Dean Martinez (Otra Vez from A Tardecer)

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Prairie Style II and Prairie Style III

written and read by Cecil Giscombe; music by Buddy Holly (Buddy's Guitar from Down the Line: Rarities)

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Magnetic Field

written by Catherine Phil McCarthy, read by Kathryn Kerr; music by Kim Robertson (Since You've Asked from Searching for Lambs)

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Winter of the Deep Snow

written and read by Dan Guillory; music by Julian Lage (Motor Minder from Sounding Point)

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Miso

written by Matt Bryden, read by Carrie Etter; music by Dale Miller (Won't You Come Home Bill Bailey from Time Goes By)

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Signals (for Caitlin)

written and read by James McGowan; music by Fiddlers 4 (Danse Caribe from Fiddlers 4)

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What I'd Tell You

written and read by Kathleen Kirk; music by Linn Barnes and Allison Hampton (Alchemy from Oasis Classical and Instrumental #3)

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Sonnet Substantially Like the Words of Fulano Rodriguez, One Position Ahead of Me on the Unemployment Line

written by Jack Aguerros, read by Martin Espada; music by The New International Trio (Blue Monk from Atomic Theory Records 10th Anniversary Collection)

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