 A podcast of new a acoustic and electroacoustic compositions. Primary Format :
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neither superidealized guidance nor caprice
This is an semi-improvised piece for piano, guitar, accordion, violin, cello and live electronics, conducted by stopwatch. The players follow a score which determines playing technique, general duration, and manner of entering/exiting. The electronics are mixed live, and were programmed in Max/MSP. The Berkeley Contemporary Chamber Players
Jason Levis, piano
Marie Abe, accordion
Brian Kane, guitar
Leighton Fong, cello
Graeme Jennings, violin
John MacCallum, live electronics
Recorded live a ... Listen | Listen in your iPhone | Download | View full cache | Visit Website FiguraThis is a brand new piece for solo piano, approx. 10 minutes in length. Three kinds of musical material are developing simultaneously, and begin to interact in surprising ways. It is my first foray into computer aided composition; much of the material was generated with OpenMusic, and developed intuitively.Michael Seth Orland, PianoRecorded live at Hertz Hall, UC Berkeley, April 25, 2005Read the Program NoteListen | Listen in your iPhone | Download | View full cache | Visit Website Measure is the Heaven of DesireThis work for solo violin was inspired by the work of artist David Rabinowitch and is fondly dedicated to him.David Ryther, ViolinRecorded live at the Berkeley Arts Center, Nov. 9th, 2003Read the Program NoteListen | Listen in your iPhone | Download | View full cache | Visit Website Clarinet QuintetClarinet Quintet (2002-2003)Winner, De Lorenzo Prize in Music Composition.This is a three movement work for clarinet and string quartet, approx. 22 minutes in length. The piece is based on the writings of three Greek philosophers: Heraclitus, Parmenides, and Epicurus.The Berkeley Contemporary Chamber PlayersPeter Josheff, clarinetKaren Shinozaki, Cary Koh, violinsDarcy Rindt, violaLeighton Fong, celloDavid Milnes, conductorRecorded Live at the International House, Nov. 22nd, 2003.Read the P ... Listen | Listen in your iPhone | Download | View full cache | Visit Website MelodramaMelodrama, nach Beethoven (2003)This is an electronic work based on Beethoven's Melodram for Glass Harmonica and Reciter. The piece uses a wide variety of electronic music techniques to create an unusual musical narrative.The piece was realized on my home computer in Berkeley, using MAX/MSP, Audio Sculpt, Open Music and ProTools.Listen | Listen in your iPhone | Download | View full cache | Visit Website NocturneThis is an electronic work in which all the sounds are computer generated. It is tightly constructed using a limited repertoire of sounds, all of which are modeled on inharmonic spectra.This piece was realized on my home computer in Berkeley, using MAX/MSP, AudioSculpt and ProTools.Listen | Listen in your iPhone | Download | View full cache | Visit Website Three Sonnets of George SantayanaThree Sonnets of George Santayana (2001)Winner, De Lorenzo Prize in Music CompositionA short song cycle for soprano, piano, clarinet and cello. The songs are composed on three ecphrastic sonnets: the first a description of a tapestry, the second a cathedral, and the third a statue of Achilles. The settings attempt to embody Santayana's startling naturalism.Karen Hall, sopranoMarika Hughes, celloMatt Ingalls, clarinetHadley McCarroll, pianoRecorded live at Hertz Hall, UC Berkeley, May 2nd, 2 ... Listen | Listen in your iPhone | Download | View full cache | Visit Website Piano SonataPiano Sonata (1999)A three movement sonata for piano. The piece integrates a series of compositional techniques into a large multi-movement work.Hadley McCarroll, pianoRecorded live at Hertz Hall, UC Berkeley, Dec. 6th, 2000Read the Program NoteListen | Listen in your iPhone | Download | View full cache | Visit Website
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