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American Theatre Wing - Working In The Theatre Podcasts

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For more than 30 years the American Theatre Wing has been bringing together performers, directors, playwrights, designers, choreographers, producers and behind-the-scenes personnel from the American and international theatre, the seminars offer a rare opportunity for students and audiences to see the people who create theatre engaged in thoughtful conversation with one another. With more than 600 past guests, the seminars have become an unequalled archive of theatrical talk, a chance to hear from the people behind the characters, stories and productions that draw us to the theatre.

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Playwright, Director and Choreographer - April, 1997

The panel of directors Walter Bobbie ("Chicago"), director/choreographer Wayne Cilento ("Dream"), Scott Elliott ("Present Laughter"), Ron Lagomarsino ("Last Night at Ballyhoo"), Gene Saks ("Barrymore"), and playwright Alfred Uhry ("Last Night at Ballyhoo") talk about how they got started, developing their current productions, a show's relevance to contemporary audiences, determining the length of a play, and how directors maintain an ongoing show.

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Production: Stanley - April, 1997

The production team of "Stanley" -- press representative Bill Evans, producers Gregory Mosher and Edgar Rosenblum, and marketing representative Evan Shapiro -- discuss the process of bringing the play from the Royal National Theatre in London to Broadway, working with director John Caird, extensive press coverage, and target marketing including a new $10 ticket program aimed at young people.

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Unions and Guilds - April, 1997

The panelists -- Julianne Boyd (Society of Stage Directors and Choreographers); Dean Brown and Muriel Stockdale (United Scenic Artisis); Shirley Herz and Bernice Weiler (Assoc. of Theatrical Press Agents and Managers); Conard Fowkes (Actors' Equity Association); and Barry Moss (Casting Society of America) -- talk about how and why their organizations were formed, the importance of unions, the specific roles of company managers and general managers, and production costs and ticket prices.

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Producing - April, 1990

The panel -- "A Few Good Men"'s director Don Scardino and playwright Aaron Sorkin, director George C. Wolfe ("Spunk") and director Luke Yankee ("The Cherry Orchard") -- discusses their current productions and how each show was conceived. The creative team of "Once On This Island" -- book writer/lyricist Lynn Ahrens, director/choreographer Graciela Daniele, and composer Stephen Flaherty -- talk about adapting the musical from a novel, and the show's development at Playwrights Horizons.

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Production: Gypsy and Cat On A Hot Tin Roof - April, 1990

The production team of "Gypsy" and "Cat On A Hot Tin Roof" - publicist Shirley Herz, casting director Stuart Howard, playwright/director Arthur Laurents, general manager/associate producer Alecia Parker, and producers Barry Weissler and Fran Weissler - talk about many aspects of production from casting to advertising to corporate investors, booking pre-Broadway tour stops, and their other productions of "Fiddler on the Roof", "La Cage aux Folles", and "My One and Only".

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Performance - September, 1990

Stage actors Mike Hodge ("A Few Good Men"), Robin Morse ("Six Degrees of Separation"), Ron Perlman ("A Few Good Men"), Faith Prince ("Falsettoland"), Margaret Tyzack ("Lettice and Lovage"), and James Whitmore ("About Time" and "Handy Dandy") talk about their education and when they began performing, the effect of cast size, audience response, and positive feedback.

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Playwright, Director and Choreographer - September, 1990

The panel of playwrights Vernel Bagneris ("Further Mo'") and Tom Cole ("About Time"), lyricist John Driver ("Shogun"), director Tony Giordano ("About Time & Handy Dandy"), lyricist Sheldon Harnick ("The Rothschilds"), Executive Director of the Dramatists Guild David LeVine, and director Lonny Price ("The Rothschilds") discuss how they got started in their careers, writing for the stage, and the role of the Dramatists Guild.

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Performance - April, 1994

Broadway performers F. Murray Abraham ("Angels In America"), Susan Egan ("Beauty and the Beast"), Victor Garber ("Damn Yankees"), Nathan Lane ("Laughter on the 23rd Floor"), Michael Learned ("The Sisters Rosensweig"), Burke Moses ("Beauty and the Beast"), and Bebe Neuwirth ("Damn Yankees") talk about how they got started in performing, their current roles, and teaching acting courses.

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Performance - September, 1997

Broadway performers - Chuck Cooper ("The Life"), Robert Cuccioli ("Jekyll and Hyde"), Pat Hingle ("1776"), Pamela Isaacs ("The Life"), Jeff McCarthy ("Side Show"), and J. Smith-Cameron ("As Bees in Honey Drown") - talk about how they got their start and have built their careers, the challenge of memorizing lines, the importance of discipline and stamina, and the support of family and friends.

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Playwright and Director - September, 1997

The panel -- playwright Douglas Carter Beane ("As Bees In Honey Drown"), director Mark Brokaw ("As Bees In Honey Drown", "How I Learned To Drive"), playwright/lyricist Bill Russell ("Side Show") and playwright Paula Vogel ("How I Learned To Drive") -- talk about their backgrounds and developing their crafts, the advantages of writing for the stage compared to being a screenwriter, and why these particular playwrights prefer not to direct.

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Production: Side Show - September, 1997

The production team for the musical "Side Show" -- producer Emanuel Azenberg, press representative Bill Evans, and general manager Abbie M. Strassler -- talk about the show's journey from presentation to workshop to Broadway; the role of producer, casting director, general manager, company manager, and press agent; casting principal and chorus members; and marketing a new show.

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Design - September, 1997

The panel -- Tony Award winning lighting designer Beverly Emmons for "Amadeus", "Passion" and "The Heiress"; costume designer Danny Gates ("When Pigs Fly"); 1997 Tony Award winners for Best Scenic Design for "Jekyll and Hyde" James Noone and director/designer Robin Phillips; puppeteer Basil Twist ("Peter and Wendy"); director Mark Waldrop ("When Pigs Fly"); and producer/playwright Liza Lorwin ("Peter and Wendy") -- talk about how designers work with directors, producers and writers; direc ...

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Playwright, Director and Choreographer - September, 1998

The panel of theatre professionals - playwright Michael J. Chepiga ("Getting and Spending"), choreographer Graciela Daniele ("Ragtime"), playwright/director Christopher Durang ("Sex and Longing"), director Garry Hynes ("The Beauty Queen of Leenane"), and director Joe Mantello ("Corpus Christi") - discuss how they got their start, auditioning actors, controversy surrounding a play, and taking on alternate roles of choreographer, actor, or director.

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Production: Side Man - September, 1998

The "Side Man" production team -- general manager Roy Gabay, producer Jay S. Harris, advertising representative, Drew Hodges, producer Peter Manning, marketing representative Nancy Richards, and press representative Gary Springer -- discuss moving the Roundabout production to a commercial Broadway run, marketing tactics, ticket pricing, breakdown of the production budget, working on multiple shows simultaneously, and the differences between not-for-profit and commercial theatre.

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Design - September, 1998

The panel of lighting designers Jules Fisher ("Ragtime") and Donald Holder ("The Lion King"), scenic designers Eugene Lee ("Ragtime") and Ming Cho Lee (The Public Theater), and "The Lion King" associate costume designer Mary Peterson discuss the challenges of designing their current shows, how sets, lighting, and costumes complement each other, display and detail a costume from "The Lion King", and present a model of one of the "Ragtime" sets.

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Performance - December, 1998

The international panel of performers -- Scottish actor Iain Glen ("The Blue Room"), Australian actress Nicole Kidman ("The Blue Room"), Irish actress Anna Manahan ("The Beauty Queen of Leenane"), and Filipino actress Lea Salonga ("Miss Saigon") -- discuss their training, the rehearsal process, taking a whole approach to both film and stage work, overcoming stage fright, how audience responses varies from London to Broadway to Australia, and how changes in the political climate of their res ...

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Performance - April, 1998

Actors Blythe Danner and Edward Herrmann both from "The Deep Blue Sea", Brian Stokes Mitchell ("Ragtime"), Alfred Molina ("Art"), Natasha Richardson ("Cabaret"), and John Vickery ("The Lion King") discuss how their training and first professional jobs, obtaining and preparing for their current role, what has been their biggest break in theatre, the difference between theatre audiences in London and New York, and anecdotes of flubbing lines.

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Producing Broadway - May, 2008

What is the role of a producer? That was the question that started the discussion among four of Broadway's top producers - Roger Berlind, Margo Lion, Jeffrey Richards and Jeffrey Seller - as the conversation turned to whether they produce for profit or passion and how they balance between the two; what the shows they produce reveal about themselves; what the opportunities are for new producers; the increased role the internet and other new media plays in theatre today; the escalating cost ...

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Production: The Lion King - April, 1998

"The Lion King" production team -- press representative Chris Boneau, composer Lebo M, advertising representative Rick Elice, producers Peter Schneider and Thomas Schumacher, and director, costume and mask designer Julie Taymor -- talk about the development of the animated film, the subsequent development of the theatrical show led by Taymor's vision, forming a creative design team, merging Western and African music into a unique collaborative sound, the publicity and advertising challenges ...

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Playwright and Director - April, 1998

Playwright Jeff Baron ("Visiting Mr. Green"), director/playwright Moises Kaufman ("Gross Indecency"), playwright Warren Leight ("Side Man"), director Michael Mayer ("Side Man"), actor/director Lonny Price ("Visiting Mr. Green"), and director Matthew Warchus ("Art") discuss the working dynamics between a playwright and a director, the differences between screenwriting and playwriting, transitioning from acting to directing, and the development of "Side Man" and "Art".

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Demystifying the Classics - April, 2008

A trio of classical theatre veterans - Kate Fleetwood, Peter Francis James and Laila Robins - share their thoughts about the importance of language in performing the classics and the physical connection they feel to the language; why the classics force audiences to think; the reaction of younger audiences to classical theatre; tackling the pre-conceived ideas held by audiences about the classics; and their opinion on setting the plays in different eras.

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Production: Ragtime - April, 1998

Lyricist Lynn Ahrens, producer Garth Drabinsky, composer Stephen Flaherty, director Frank Galati, book writer Terrence McNally, and advertising representative Jon Wilner discuss the journey of the American musical "Ragtime" -- from adapting E.L. Doctorow's novel, to comparisons with the 1981 film, through numerous workshops, to the full-scale Toronto and Broadway productions.

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Performing Musicals - April, 2008

Actors Roger Bart ("Young Frankenstein"), Brian d'Arcy James ("Next To Normal"), Priscilla Lopez ("In The Heights") and Sherie Rene Scott ("The Little Mermaid") -- collectively veterans of more than 30 Broadway and off-Broadway musicals -- talk about the differences between performing in musicals and straight plays; acting techniques and voice training; how they prepare for a performance; dealing with the "triple threat" of acting, singing and dancing; balancing their lives on and off stage ...

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Performance - September, 1998

The panel of performers talk about their training and when they decided to become actors. "Power Plays" co-stars Richard Benjamin and Paula Prentiss talk about working together at Northwestern. Both Billy Crudup and Dana Reeve ("More To Love: A Big Fat Comedy") pursued Master of Fine Arts degrees in order to teach as well as act. In England, Roger Rees ("Nicholas Nickleby") trained primarily by observation. James Naughton ("Chicago", Williamstown Theatre Festival) discusses the Blue Li ...

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Unexpectedly Theatre - March, 2008

With backgrounds rooted in rock and roll, television comedy and comics, our 4 guests have made the leap from their day jobs to the stages of Broadway and Off Broadway with their musicals. Ben Katchor ("The Slug Bearers of Kayrol Island"), David Javerbaum ("Cry-Baby"), Heidi Rodewald ("Passing Strange") and Stew ("Passing Strange") discuss adjusting to the collaborative world of theatre, the rules of theatre they think were made to be broken, their reaction to producers' notes, and how the ...

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Performance - April, 1999

The five performers -- Matthew Broderick ("Night Must Fall"), Kathleen Chalfant ("Wit"), Brian Dennehy ("Death of a Salesman"), Elizabeth Franz ("Death of a Salesman"), and Swoosie Kurtz ("The Mineola Twins") -- discuss their current and past acting roles, how research and real life experience shapes one's portrayal of a character, how the audience completes the performance equation, stage versus film work, and where they started their performing careers.

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Playwright, Director and Choreographer - April, 1999

The panel -- director Scott Ellis ("That Championship Season"), director Robert Falls ("Death of a Salesman"), playwright David Marshall Grant ("Snakebit"), director/choreographer Robert Longbottom ("The Scarlet Pimpernel"), playwright Paul Rudnick ("The Most Fabulous Story Ever Told"), and director John Tillinger ("Night Must Fall") -- discuss working with rewrites, revisions and multiple versions of a script, the playwright's input during rehearsals, and the role of a dramaturg.

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Steppenwolf: From Chicago to Osage County - February, 2008

Ranging from their start in a church basement in 1976 to their current Broadway production of "August: Osage County", Steppenwolf Theatre Company Co-Founder Jeff Perry and Steppenwolf Ensemble Members Laurie Metcalf, Amy Morton and Rondi Reed discuss their formative years as a rebel theatre group in Chicago, what they did in those early years to attract audiences, how the ensemble has evolved, how Steppenwolf transformed from upstart to institution, the development of "August: Osage County" ...

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Production: The Civil War - April, 1999

The production team for "The Civil War" -- producer Pierre Cossette, producers Gary Gunas and Scott Zieger of Pace Theatrical, lyricist Jack Murphy, composer Frank Wildhorn, and marketing representative Norman Zagier -- cover the musical's journey from inception at Houston's Alley Theatre, through two studio albums, readings and workshops, to the Broadway production.

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Critics - September, 1999

The panel of theatre critics -- "New York Post"'s Clive Barnes, "Variety"'s Charles Isherwood, "New York Times"' Peter Marks, "NY1"'s Roma Torre, and "Newsday"'s Linda Winer -- discuss the difference between television and print media, writing styles, the change in opening night review deadlines, audience reactions, unbiased reviews, reading plays prior to attending plays, how the quality of a show influences the quality of a review, returning to a show for a subsequent viewing, and the job ...

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Directors on Directing - February, 2008

Our distinguished panel of theatre directors - Anne Bogart, Scott Ellis and Daniel Sullivan - discuss their early influences in theatre and how that impacted their work as directors, why they have such a strong and emotional reaction to the idea of "concept" in the directing process, their opposing opinions on the role of assistants, what plays interest them and which works they wouldn't direct, whether they each approach the process differently when directing a new work or a revival, and w ...

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Playwright, Director and Choreographer - September, 1999

The panelists -- playwright Douglas Carter Beane ("As Bees In Honey Drown"), director/choreographers Kathleen Marshall ("Kiss Me Kate") and Rob Marshall ("Damn Yankees", "She Loves Me"), director Vivian Matalon ("Morning's At Seven"), and playwright John Pielmeier ("Agnes of God") -- discuss the impact of efficient cast sizes, casting for multi-talented performers, respectfully auditionining and rejectioning performers, their individual performing backgrounds, compromising with producers, a ...

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Production: Contact - September, 1999

Producer/Artistic Director of Lincoln Center Theater André Bishop, Marketing Director and Director of Special Projects for Lincoln Center Theater Thomas Cott, Executive Producer of Lincoln Center Theater Bernard Gersten, director/choreographer Susan Stroman and playwright John Weidman discuss the Tony Award winning "Contact"; from Lincoln Center Theater's invitation to Stroman and Weidman to develop their original ideas, how the individual stories are connected, multiple workshops, the ca ...

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Design - September, 1999

This broad panel of designers - lighting designer Michael Chybowski ("Moby Dick and Other Stories", "Wit"), scenic designer David Hays, sound designer Abe Jacob ("Pippin", "Evita"), special effects designer Greg Meeh ("Phantom of the Opera", "Miss Saigon", Cirque du Soleil) and costume designer Ann Roth ("Crucifer of Blood", "The Royal Family", "The House of Blue Leaves") -- discuss their purpose and accomplishments, collaborating with a production's creative team, apprentices and learning ...

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Performance - September, 1999

Performers Bryan Batt ("Saturday Night Fever"), Kristin Chenoweth ("Epic Proportions"), Boyd Gaines ("Contact"), Marin Mazzie ("Kiss Me Kate"), Tom Wopat ("Annie Get Your Gun") and Deborah Yates ("Contact") discuss working on preview performances, how audiences can vary wildly, the pros and cons of live music and amplification, reconceiving shows for revivals, and stories from their stage experiences.

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Playwright, Director and Choreographer - April, 2000

Director David Esbjornson ("The Ride Down Mt. Morgan"), director David Leveaux ("The Real Thing"), playwright Becky Mode ("Fully Committed"), director Richard Nelson ("James Joyce's The Dead"), and director/choreographer Lynne Taylor-Corbett ("Swing!") discuss how they became theatre professionals, their work ethic, and their reasons for remaining and working in theatre.

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Featured Performers - January, 2008

Our panel of stage performers -- Helen Carey, Elizabeth Franz, Jayne Houdyshell and Zeljko Ivanek -- discuss their roles as featured actors and actresses, the range of work available to them, how they become their characters, dealing with stage fright and forgetting their lines, the audition process, performing in regional theater and how they prepare for each evening's performance.

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Off-Broadway Companies - January, 2008

The Artistic Directors of four off-Broadway not-for-profit theatre companies -- Douglas Aibel of Vineyard Theatre, Charlotte Moore of Irish Repertory Theatre, Tim Sanford of Playwrights Horizons and Jim Simpson of The Flea Theater -- share their thoughts about attracting audiences to their shows, the cost of keeping their theaters going, the challenges they face competing with commercial productions, how they choose the works performed on their stages and what they hope to accomplish for ...

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Performance - April, 2000

Actors Jennifer Ehle (Tom Stoppard's "The Real Thing"), Cherry Jones ("Moon for the Misbegotten", "The Heiress"), Adam Pascal ("Aida", "Rent"), Tonya Pinkins ("The Wild Party", "Jelly's Last Jam"), John Shea ("The Director"), and Patrick Stewart ("A Christmas Carol", "The Ride Down Mt. Morgan") discuss how and why they chose to be performers, their education and training, their work ethic, how one embodies a character, the craft of acting, and why they work in the theatre.

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Playwright, Director and Choreographer - September, 2000

Playwrights David Auburn ("Proof") and Charles Busch ("The Tale of the Allergist's Wife"), director/choreographer George Faison ("For Colored Girls"), choreographers David Marques ("The Adventures of Tom Sawyer") and Jerry Mitchell ("The Full Monty"), and director John Rando ("The Dinner Party") discuss their experiences in professional theatre, including their backgrounds, creative processes, rehearsals, and transfers to Broadway from off-Broadway and out-of-town productions.

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Composers and Lyricists - December, 2007

A panel of acclaimed, Tony Award-winning composers and lyricists - Lynn Ahrens, Stephen Flaherty, William Finn and Adam Guettel - discuss their first theatrical experiences, the process of writing and composing, what's involved in working with a partner, early influences on their music, and where they find inspiration; offer advice for students; and demonstrate their craft by playing a bit of their work.

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Production: The Full Monty - September, 2000

The creative and production team of the Broadway musical "The Full Monty" -- producer Thomas Hall, press representative Michael Hartman, producer Lindsay Law, director Jack O'Brien, general manager Charlotte Wilcox, and composer/lyricist David Yazbek -- follows the show from its inception as a work for the stage, adapted from the 1997 hit comedy film, through to the production on the Great White Way.

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New Dramatists - December, 2007

A panel of current New Dramatists playwrights -- Carlyle Brown, David Grimm, Quiara Alegría Hudes and Lucy Thurber -- talk about their differing styles of playwriting, what inspired them to start writing, how the world of the playwright has evolved and changed, what influences their writing and the challenges in getting their work produced. The program also includes an interview with New Dramatists Artistic Director Todd London, discussing how New Dramatists serves as haven for emerging p ...

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Composer and Lyricist - September, 2000

Oscar, Emmy and five-time American Theatre Wing Tony Award winner, Peter Stone moderates this discussion with lyricist Susan Birkenhead ("Triumph of Love", "Jelly's Last Jam"), composers/lyricists John Kander and Fred Ebb ("Cabaret", "Chicago", "Woman of the Year", "Steel Pier", "The Act"), composer Marvin Hamlisch ("A Chorus Line", "They're Playing Our Song", "The Sweet Smell of Success"), and award-winning country songwriter/composer Don Schlitz ("The Adventures of Tom Sawyer"). The pane ...

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Performance - September, 2000

Actors Len Cariou, Patrick Cassidy, Andre De Shields, Michael Learned, Mary Louise Parker, and Marian Seldes talk not only about their careers and their training, but also about the drive, the passion, and the knowledge needed to achieve a career in the theatre.

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Horton Foote's America - November, 2007

In a one-on-one interview with playwright Horton Foote he talks about his early career as an actor, who was responsible for his becoming a playwright, how his connection to the past inspires his writing, what it was like to write for television's Golden Age, writing for different mediums, including his Oscar winning screenplays, and the influence his hometown of Wharton, Texas has had on his life and his work. He's then joined by four artists who have worked with him in recent years - his ...

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The Next Generation - November, 2007

Four of Broadway's newest and brightest stars - Ashley Brown ("Mary Poppins"), Jonathan Groff ("Spring Awakening"), Alison Pill ("Mauritius") and John Lloyd Young ("Jersey Boys") - discuss their road to the Broadway stage, the mentors who helped them, where their drive to perform comes from, their earliest roles, how they handle the audition process, facing their fears, keeping their voices in shape and what roles they'd love to play in the future.

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Production: Aida - April, 2000

The production team of Elton John and Tim Rice's "Aida" - musical director Paul Bogaev, press representative Chris Boneau, director Robert Falls, book writer David Henry Hwang, vice president of creative affairs "Stuart Oken", and producer "Thomas Schumacher" - follows the show from its creative inception, through its early production at the Alliance Theatre in Atlanta, the Chicago tryout, to the Broadway opening.

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Playwright, Director and Choreographer - April, 2001

This panel of artists - playwright/actress Pamela Gien, playwright/director/actor Lonny Price, choreographer/director Randy Skinner, director Rebecca Taylor, playwright August Wilson, and director Joel Zwick - who provide the creative heart of the theatre and breathe life into their stage productions discuss their work, backgrounds, and education; becoming a choreographer; building a book show around pre-existing songs; and how poetry relates to stage work.

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Production: The Producers - April, 2001

The production and creative team for the musical "The Producers" - press representative John Barlow, creator and producer Mel Brooks, producer Richard Frankel, general manager Laura Green, book writer Thomas Meehan, and director and choreographer Susan Stroman - discuss taking the cult film to the Broadway stage, including the out-of-town run in Chicago, budgeting a huge musical, and the overwhelming interest from producers, investors, publicists, and ticketbuyers.

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Performance - April, 2001

Six leading performers - Alan Cumming ("Design For Living"), Daniel Davis (Tom Stoppard's "Invention Of Love"), Heather Headley ("Aida"), Faith Prince ("Bells Are Ringing"), Maximilian Schell ("Judgement At Nuremberg"), and Lily Tomlin ("The Search For Intelligent Life In The Universe") - talk about their training; audition experiences; and their drive, passion and knowledge needed to achieve a career in the theatre.

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Playwright, Director and Choreographer - September, 2001

Choreographers Rob Ashford and Wayne Cilento, playwright Michael Frayn, playwright/lyricist Greg Kotis, and directors Sean Mathias and Lynne Meadow discuss various aspects of their respective crafts, including the focus on storytelling, the benefits and challenges of collaboration, bad reviews, and the evolution of the director/choreographer relationship.

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Production: Mamma Mia! - September, 2001

The creative team of worldwide hit musical "Mamma Mia!" - press representative Adrian Bryan-Brown, producer Judy Craymer, book writer Catherine Johnson, director Phyllida Lloyd, and composer/lyricist Björn Ulvaeus - discuss the multi-year journey that brought ABBA's songs to Broadway.

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Performance - September, 2001

Actors Kate Burton ("Hedda Gabler"), Christine Ebersole ("42nd Street"), Peter Gallagher ("Noises Off"), Valerie Harper ("The Tale of the Allergist's Wife"), and Robert Sean Leonard ("The Music Man") discuss performing on Broadway with respect to humor, the truth in acting, analyzing a script, building a character, acting influences, auditions, training, directors, pre-performance preparations, and on-stage mishaps.

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Design - September, 2001

The panelists -- lighting designer Ken Billington, costume and set designer Robert Jones, costume designer William Ivey Long, scenery designer Thomas Lynch, costume and scenery designer Tony Walton, and costume designer David C. Woolard -- discuss the fields of study that led them to design; perceptible styles; the design of "Six Degrees of Separation"; how actors are effected by design details; how lighting influences audience reaction; contemporary audiences' expectations for brighter, qu ...

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Women Producers - September, 2002

This panel of producers (all of whom just happen to be women) -- Tisa Chang, Elizabeth Ireland McCann, Amy Nederlander, Daryl Roth, Fran Weissler, and Elizabeth Williams -- talks about the role of women in theater, how they are percieved, how they have come to the forefront of the theater community and how they have significantly impacted productions on Broadway and off-Broadway.

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World Theatre - January, 2002

The international panel consisting of Valery Fokin (Artistic Director of The Meyerhold Centre in Moscow and the Alexandrinksy Theatre in St. Petersburg), Marita Gochman (writer/director, Nordic theatre), Fiona Shaw (Irish actress, "Medea"), Anatoly Smeliansky (writer/scholar/critic, Moscow Art Theatre), Elise Thoron (writer/director, Russian theatre), and Shu Xiao (Cultural Counselor, China) discuss the role of theatre in their respective countries; American curiosity in foreign productions ...

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Playwright and Director - April, 2002

Playwrights Jon Robin Baitz ("Hedda Gabbler"), John Guare ("Sweet Smell of Success"), Peter Parnell ("Q.E.D."), and directors Gene Saks ("Mr. Goldwyn"), Daniel Sullivan ("Proof"), and Mary Zimmerman ("Metamorphoses") discuss their approaches to writing, directing, and adaptations; the collaboration process with directors, writers, producers, sets, and actors; reactions to a production's first preview; and the source of ideas for playwrights.

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Production: Thoroughly Modern Millie - April, 2002

"Thoroughly Modern Millie"'s creative and production team -- choreographer Rob Ashford, general manager Nina Lannan, producer Hal Luftig, director Michael Mayer, book writer/lyricist Dick Scanlan and composer Jeanine Tesori -- discuss the Tony Award winning musical's journey to Broadway; obtaining the rights to the 1967 Universal Pictures film written by Richard Morris and starring Julie Andrews; years of development in workshops and readings; how the production team came together, includi ...

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Performance - April, 2002

Actors Frank Langella ("Fortune's Fool"), John Lithgow ("Sweet Smell of Success"), Andrea Martin ("Oklahoma!"), Estelle Parsons ("Mornings at Seven"), Mercedes Ruehl ("The Goat, Or Who Is Sylvia?"), Jeffrey Wright ("Top Dog/Under Dog") discuss playing a range of roles, what influences their performances including daily life and audience response, how to prepare for a performance, and working with directors in finding courage and confidence.

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Performance - June, 2002

Actors Julie Harris ("The Belle of Amherst"), Marilu Henner ("The Tale of the Allergist's Wife"), Richard Kind ("The Tale of the Allergist's Wife"), Hal Linden ("Cabaret"), Brad Oscar ("The Producers"), Steven Weber ("The Producers") discuss what makes for good entertainment; how actors collaborate with the rest of the creative staff, especially directors; and what makes an audience laugh. Additionally, there is a short tribute to producer Robert Whitehead ("Master Class, A Few Good Men, Me ...

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Playwright and Director - September, 2002

Director and lyricist Martin Charnin ("Annie"); director and choreographer Graciela Daniele ("Annie Get Your Gun"); lyricist and book writers Rupert Holmes ("Say Goodnight, Gracie") and Michael Kunze ("Dance of the Vampires"); and directors Marion McClinton ("King Hedley II") and Lawrence Sacharow (Director of Fordham University Theatre Program) talk about the evolution of both play and musical writing in the United States today and the changes in directorial style and direction over the ye ...

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Design - September, 2002

Set designer John Arnone ("The Goat, or Who Is Sylvia?"), costume designers Jane Greenwood ("Morning's at Seven") and Martin Pakledinaz ("Thoroughly Modern Millie"), set designer Scott Pask ("Amour") and lighting designer Richard Pilbrow ("Our Town") talk about what it means for a designer to collaborate on a show; how that collaboration works with other designers, and the cast and director; and how they keep up with their hectic schedules.

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Performance - September, 2002

Actors John Cullum ("Urinetown"), Edie Falco ("Frankie and Johnny in the Clair de Lune"), Lea Salonga ("Flower Drum Song"), Stanley Tucci ("Frankie and Johnny in the Clair de Lune"), Marissa Jaret Winokur ("Hairspray") and Charlayne Woodard ("In Real Life") meet and discuss the changes taking place in the theatre world today; how they came to be in their current shows; and the fluidity of an actor's life - moving between theatre, television and movies.

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Production: Hairspray - December, 2002

The creative team behind the Broadway musical "Hairspray", producers Richard Frankel and Margo Lion, co-book writer Thomas Meehan, choreographer Jerry Mitchell, director Jack O'Brien, co-book writer Mark O'Donnell, composer Marc Shaiman and lyricist Scott Wittman outline the journey the piece took from being a John Waters and Divine cult movie to hitting the Broadway stage; offer a peek at the process that created this smash hit and discuss the social messages that the show sends, both in i ...

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Playwright and Director - April, 2003

Director Bob Balaban ("Y2K"), playwrights Richard Greenberg ("Take Me Out") and Suheir Hammad ("Russell Simmons Def Poetry Jam"), choreographer Luis Perez ("Man of La Mancha") and director David Petrarca ("A Year With Frog and Toad") discuss the condition of American theatre both in New York and around the country, and some of the shifts that are occurring both in audience expectations and the direction of new works.

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Artistic Directors - June, 2007

The artistic directors of four major not-for-profit companies - Susan V. Booth of the Alliance Theatre, Oskar Eustis of The Public Theater, Emily Mann of the McCarter Theatre Center and Michael Wilson of Hartford Stage - discuss the unique task of the artistic director, touching upon issues including how they balance their personal artistic goals as directors with the institutional needs of their companies, whether their focus is on the local community or the larger national artistic commun ...

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August Wilson's Legacy - May, 2007

The extraordinary legacy of playwright August Wilson and his 10-play cycle of African-American life in the 20th Century is explored in a two-part program. First, a panel of Wilson's collaborators -- producer James Houghton (Signature Theatre Company), dramaturg Todd Kreidler, director Kenny Leon ("Radio Golf", "Gem of the Ocean"), actor/director Ruben Santiago Hudson ("Gem of the Ocean", "Seven Guitars"), producer Jack Viertel ("Radio Golf") -- discuss the process of developing and produci ...

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Leading Men - May, 2007

Four acclaimed leading men - Jeff Daniels ("Blackbird"), Brian Dennehy ("Inherit the Wind"), Liev Schreiber ("Talk Radio") and Kevin Spacey ("A Moon for the Misbegotten") - discuss a wide array of topics, including whether the prefer rehearsal to performance, their experience in long runs and how great plays can carry actors along, the acting opportunities of appearing in many plays by the same author, how they find new challenges, whether they can still enjoy theatre as a member of the au ...

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Production: Urban Cowboy - April, 2003

Musical director, orchestrator and arranger Jason Robert Brown, book writer Aaron Latham, producer Chase Mishkin, director Lonny Price, press representative Pete Sanders and producer Leonard Soloway are the guests on this program which discusses the how this classic movie was musicalized, how it was shepherded to Broadway, and how just enough was changed so it would still maintain the movie's original flavor.

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Design - April, 2003

Costume designer Suzy Benzinger ("Movin' Out"), lighting designer Beverly Emmons ("Jekyll and Hyde"), scenic designer Adrianne Lobel ("A Year With Frog and Toad"), sound designer David Meschter ("Medea"), lighting designer Rui Rita ("Enchanted April") and scenic designer David Rockwell ("Hairspray") talk about the practicalities of design - including how to approach a new design job, the similarities of low-budget showcases and big budget Broadway productions, ways to build a collaborative ...

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Performance - April, 2003

Actors from both sides of the Atlantic - Sutton Foster ("Thoroughly Modern Millie"), Clare Higgins ("Vincent in Brixton"), Eddie Izzard ("A Day in the Death of Joe Egg"), Brian Stokes Mitchell ("Man of La Mancha") and Brent Spiner ("Life (x) 3") - share some of the high points and quite a few humorous moments (including pulling surprised audience members onstage during a performance, accidentally) from their stage careers.

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Production: The Coast Of Utopia - March, 2007

Four actors from the 42-member "The Coast of Utopia" company -- Jennifer Ehle, Josh Hamilton, Ethan Hawke and Amy Irving -- talk about the experience of appearing in Tom Stoppard's triptych of 19th century Russian intellectual history, including their own trepidation at working with the brilliant Stoppard; adapting language written by an English playwright for Russian characters to the comfort of American actors -- and audiences; the thrill of of working in a variant of a classical repertor ...

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Production: Big River - June, 2003

Director Jeff Calhoun, actor Phyllis Frelich, actor Tyrone Giordano, producer Todd Haimes, actor Daniel Jenkins and producer Bill O'Brien explain how Deaf West Theatre Company, a sign language theatre company, decided to put on the musical "Big River"; why that is not a bad idea, as many initially thought; the integration of signing into the choreography of the show; and how 2 actors, one hearing and one deaf, shared each of the principal roles.

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Playwright, Director and Choreographer - September, 2003

Choreographer Jonathan Butterell ("The Light In The Piazza", "Nine"), director Moises Kaufman ("The Laramie Project", "Gross Indecency"), playwright Arthur Kopit ("Nine", "Oh Dad, Poor Dad..."), choreographer Joey McKneely("The Boy From Oz", "Wild Party"), playwright Theresa Rebeck ("Ominum Gatherum", "Bad Dates") and director Susan H. Schulman ("Little Women", "Secret Garden") explore how playwrights, directors and choreographers place themselves in the body of the character so that the ch ...

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Production: Avenue Q - September, 2003

Members of the creative team of the Tony-winning musical "Avenue Q" -- Robert Lopez (Composer/Lyricist), Rick Lyon (Puppet Designer/Actor), Jeff Marx (Composer/Lyricist),and Jeff Whitty (Book Writer) -- along with producers Robyn Goodman and Jeffrey Seller explain how the pieces came together to create this unique puppet musical, the journey from its early days at the BMI Workshop and the O'Neill Theater Center to the Vineyard Theatre/New Group production to Broadway, including the challeng ...

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Design - September, 2003

Scenic Designer, David Gallo ("Thoroughly Modern Millie"); Lighting Designer, Donald Holder ("Little Shop Of Horrors"); Scenic Designer, Anna Louizos ("Avenue Q"); Scenic and Costume Designer, G.W. Mercier ("Juan Darien") and Costume Designer, Catherine Zuber ("Dinner At Eight") discuss how designing on a restricted budget can force a designer to find a more creative solution; spectacle on Broadway - is it expected and how it does or does not affect ticket prices; the necessity today for a ...

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The Casting Director - February, 2007

Casting Directors Tara Rubin ("Spamalot", "The Producers"), Laura Stanczyk ("Translations", "Sweet Charity"), Daniel Swee ("The Coast of Utopia", "The Vertical Hour"), and Bernie Telsey ("Wicked", "Hairspray") explore and explain the work of the casting director, touching on issues from the best advice they can give actors about auditioning, how they work with directors and writers in the casting process, the challenges of luring stars to the stage, how they feel about stunt casting and tel ...

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Performance - September, 2003

Tovah Feldshuh ("Golda's Balcony"), Marc Kudisch ("Thoroughly Modern Millie"), Swoosie Kurtz ("Frozen"), Rebecca Luker ("Nine"), Denis O'Hare ("Take Me Out") and Lewis J. Stadlen ("The Producers") come together in this interview to talk about their careers - both on Broadway and around the country - covering a variety of topics, including the challenge of playing real people and "capturing their essence," the effect of typecasting, the value of acting teachers, and how in performance they r ...

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New Plays and Playwrights - January, 2004

Five of America's leading playwrights, Nilo Cruz ("Beauty of the Father"), Julia Jordan ("Boy"), Terrence McNally ("The Visit"), Paul Rudnick ("Valhalla") and Regina Taylor ("Drowning Crow") come together in this panel interview to discuss the state of new playwriting in America today - its challenges, its rewards and how the process is changing.

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The Evolution of Encores! - January, 2007

On "The Evolution of Encores!", guests Judith E. Daykin (founder), Rob Fisher (music director from founding to 2006), David Ives (book adapter for 18 productions) and Jack Viertel (artistic director since 2001) discuss the growth and success of the acclaimed musical concert series at New York's City Center, exploring how "Encores!" grew out of a concert at BAM in the late 80s; how the international success of "Chicago" impacted the series; how shows are selected; whether the addition of cos ...

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Performance - April, 2004

In this interview a panel of actors - Anne Heche ("Twentieth Century"), Jefferson Mays ("I Am My Own Wife"), Martha Plimpton ("Sixteen Wounded"), Phylicia Rashad ("Gem Of The Ocean") and Richard Thomas ("12 Angry Men") - delve into their current Broadway characters and speak about how their recognition from other media affects audience perception of them today.

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Production: Caroline, or Change - April, 2004

The development of the musical "Caroline, or Change" and its move from The Public Theatre to Broadway is explored with Tony Kushner (writing a musical book and lyrics for the first time), composer Jeanine Tesori, choreographer Hope Clarke and actors Tonya Pinkins and Veanne Cox.

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Producing New Plays for Broadway - April, 2004

The challenges and the rewards of producing new plays on Broadway are explored by press representative Michael Hartman ("Sixteen Wounded"), producers Robert LuPone ("Frozen"), Benjamin Mordecai ("Sixteen Wounded"), Michael Parva ("Prymate") and Daryl Roth ("The Goat, or Who Is Sylvia").

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The Playwright - December, 2006

Playwrights Roberto Aguirre-Sacasa ("Dark Matters"), Douglas Carter Beane ("The Little Dog Laughed"), Kia Corthron ("Breath Boom"), Daisy Foote ("Bhutan") and Adam Rapp ("Red Light Winter") discuss why they, as products of the age of electronic entertainment -- and as writers who work in various forms -- choose to tell certain stories in the theatre; consider whether one can be taught playwriting or whether one simply learns it; ponder the prevalence of 90 minute plays against the three-act ...

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Leading Ladies - December, 2006

"Leading Ladies" Blair Brown ("The Clean House"), Blythe Danner ("Suddenly, Last Summer"), Swoosie Kurtz ("Heartbreak House") and Julie White ("The Little Dog Laughed") share their thoughts on their careers on stage, from the difference between working in plays and musicals, to whether they still audition for roles, to the experience of working with living playwrights -- and whether they feel they ever have any power on a production.

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Production: Grey Gardens - November, 2006

The "Grey Garden"'s creative team, Scott Frankel (composer), Michael Korie (lyricist) and Doug Wright (book writer) discuss the genesis of this new, highly acclaimed Broadway musical - why they chose this "cult" documentary to be the basis for a musical; how they all came together as collaborators; and what it took to make these characters "sing". Later in the show the stars Erin Davie, Christine Ebersole and Mary Louise Wilson join director Michael Greif to talk about how they worked toget ...

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Playwrights - October, 2004

At the start of a theatre season which would see revivals of major works by each, authors Edward Albee ("Who's Afraid of Virginia Woolf?"), Harvey Fierstein ("La Cage aux Folles"), Paula Vogel ("The Baltimore Waltz") and John Weidman ("Assassins") discuss the challenges of the career of a playwright.

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Producing Commercial Theatre Off-Broadway - November, 2006

The challenge of producing commercially Off-Broadway is the topic for producers and managers Ken Davenport, Nancy Nagel Gibbs, Marc Routh and Alan Schuster as they consider whether Off-Broadway is, as some of the press would have it, in crisis; reflect on the nature of the work that succeeds in that arena; and place their work in those venues in the context of both the not-for-profit theatre and the world of Broadway.

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Puppetry and Theatre - October, 2004

With puppetry turning up in, or serving as the main focus of, numerous shows in recent seasons, Pam Arciero (O'Neill Puppetry Conference), Cheryl Henson (The Jim Henson Foundation), Rick Lyon ("Avenue Q"), Roman Paska ("Dead Puppet Talk") and Basil Twist ("Symphonie Fantastique") discuss the intersection of puppet and human theatre.

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Not-For-Profits of Broadway - November, 2004

With three of New York's major not-for-profit theatres now producing in Broadway venues, their leaders - Andre Bishop and Bernard Gersten of Lincoln Center Theatre, Lynne Meadow and Barry Grove of Manhattan Theatre Club, and Todd Haimes, Ellen Richard and Julia C. Levy of Roundabout Theatre Company - gather for the very first time to explore the issues facing institutional theatres on Broadway.

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Performance - December, 2004

Three distinguished actresses - Brenda Blethyn, Kathleen Chalfant and Randy Graff - discuss their craft and careers.

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Humor In Performance - December, 2004

Four performers noted for their performance in comedic roles - Mario Cantone (Laugh Whore), Julie Halston (Hairspray), Judy Kaye (Souvenir) and Michael McKean (A Second-Hand Memory) - talk about being funny on stage.

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Stage Veterans - January, 2005

Four actors with long and varied careers on stage - Richard Easton, Robert Prosky, Marian Seldes and Frances Sternhagen - recall their own experiences starting out in the business and offer a few tips on how to sustain a life in the theatre.

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Off-Broadway - February, 2005

Five off-Broadway artistic directors -Tisa Chang of Pan Asian Repertory, Loretta Greco of The Women's Project, Eduardo Machado of INTAR, James C. Nicola of New York Theatre Workshop and Neil Pepe of the Atlantic Theatre Company -join with Virginia Louloudes of ART/NY for a discussion of the state of Off-Broadway's institutional theatres.

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Musicals: Directors and Choreographers - March, 2005

Choreographer Rob Ashford, Director Chris Ashley, Director/Choreographer John Carrafa and Choreographer Gillian Lynne talk about making musical speak, move and sing.

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Interpreting Tennessee Williams - April, 2005

A remarkable one-time-only meeting of cast members from two concurrent Williams revivals on Broadway - Natasha Richardson, John C. Reilly and Chris Bauer of A Streetcar Named Desire and Jessica Lange and Christian Slater of The Glass Menagerie.

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Production: Dirty Rotten Scoundrels - April, 2005

An in-depth look at the